Conceived for musical friends in West Sussex, there are some new vocal works:
Pleasures for 2 sopranos and bass viol, based on a poem by Brecht
Jugend-Bildnis meines Vaters (poem by Rilke) for alto, clarinet and 3 viols
Seek him that maketh the seven stars (the Book of Amos) for 2 sopranos, alto and Ensemble
Midnight (poem by Sally Morris) for alto and solo oboe
Mid Autumn Festival (Chinese calligraphy text) for soprano, alto, flute and clarinet
What am I to do with Bradshaw`s Windmill? For S A T B Chorus
Three Shakespeare Songs from “The Tempest” for bass solo
RITUAL FOR DAViD JONES
RITUAL FOR DAVID JONES is conceived as a late night performance like a type of Compline in a bare, candlelit church. It is possible to project the inscriptions on to a white-washed wall. The audience will have the texts and translations in their programmes. Because of the nature of the inscriptions and their brevity, the idea grew to perform them from different parts of the performance space as a kind of musical graffiti wall where the music comes from different directions. It is in 4 movements: separated by a short pause. The duration is approximately 20 minutes.
View an excerpt from the score and hear a midi file here.
RITUAL FOR DAVID JONES is awaiting a performance and has a relevance to the ongoing commemoration of the 1st World War.
Other new completed works include QUATRE CALLIGRAMMES based on the poetry of Guillaume Apollinaire. This is set in French and is scored for soprano and 3 viols. An instrumental work for Haruki Murakami “Mr Ushikawa: His Speculations” is scored for 2 bass viols and harpsichord.
2016 also sees the premiere of THREE ANAGRAMS FOR CHRISTOPHER TYE” for the Pastores Ensemble’s WESTERN WYNDE tour.
MOTET: UBI CARITAS for soprano and ensemble (lute, mandola and viols)
For 2017, I was asked to write a celebratory piece for St Laurence’s Church, Falmer Village. I was asked to set the UBI CARITAS text. This would be for soprano and the Pastores Ensemble (our Early Music Ensemble). The result was a short Motet for voices and instruments. The opening motif lead to a setting of the Gloria of the Mass and subsequently a whole Mass grew out of the Motet and this single movement. The idea developed to create a PORTSLADE MASS for where I live near Brighton and to dedicate the movements to various individuals or groups that enrich our local life:
1. Kyrie (to Scottish John and his wife)
2. Gloria (to Girts and Helga Logins)
3. Credo (to St Nicholas Church, Portslade Old Village)
4. Sanctus and Benedictus (to Roberto Figueira of the MADEIRA CAFÉ)
5. Agnus Dei (to the Purple People Kitchen Food Bank)
‘Disturb us Lord’ for 2 altos and mixed chamber ensemble. 1st performance: Convent of the Poor Clares, Arundel, December 2018.
Robert Carrington, Portslade 16tth December 2018
MASS: UBI CARITAS for SATB choir
3 BUDDHA PIECES with texts by Rilke for SATB CHOIR, 2 French Horns, tenor and bass trombone
Meetings in Reading have led to various collaborations:
- “The Old Lie” combines music for flute, clarinet and viols with projected lino cut images by Dr Denis May, based on poems by Wilfred Owen.
- “Between the Lines” is a setting of 10 poems by Kate Behrens for soprano and 3 viols. The songs are to be performed in 2 sets.
- “As it happened” is an Air for solo violin and the 1st in a series of solo instrumental and chamber music pieces